Mentioned for the first time in 1018, the St. Mary's Church, owned by the bishops of Elne, was acquired by count Wilfred II of Cerdanya, who made their capital in the town, in 1025. In 1094 count William I ordered the construction of a monastery here, which was founded in 1097 and entrusted to the Augustinians.
Until 1167, the priory acquired numerous privileges and possessions, including castles and villages. In 1356 King Peter III of Aragon ceded to the monks the old palace of the counts.
In the 14th century the church was fortified with a line of walls featuring pyramidal merlons. The priory continued to increase in importance until its secularization in 1592. After the French Revolution in 1789 it was repeatedly modified.
The church, in Romanesque style, has a façade in pink marble, surmounted by a tympanum decorated by a Madonna enthroned with Child and Angels. The columns supporting the archivolts have capitals with rampaging lions, palms and sheep. The circular apse features exteriorly Lombard bands and a sawtooth-shaped frieze, as well as three windows with archivolts over small columns.
The interior is on a nave and two aisles. It houses a retablo by Jaume Cascalls (1345). The bell tower is in Lombard Romanesque style; it has Lombard bands decorating each of the three storey, the middle one having two windows and the upper one a large arch.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.