Göss Abbey is a former Benedictine nunnery and former Cathedral in Leoben. The nunnery was founded in 1004 by Adula of Leoben, wife of Count Aribo I, and her son, the future Archbishop of Mainz, on the family's ancestral lands. It was settled by canonesses from Nonnberg Abbey in Salzburg. The first abbess was Kunigunde, sister of Archbishop Aribo. Göss was made an Imperial abbey by Henry IV, Holy Roman Emperor, in 1020. The Benedictine Rule was introduced in the 12th century.
Göss Abbey functioned for centuries as a centre for the Styrian aristocracy to have their daughters educated and if necessary accommodated, and entry was strictly limited to members of the nobility.
The nunnery, the last remaining Imperial abbey on Habsburg lands, was dissolved in 1782 in the course of the rationalist reforms of Joseph II, Holy Roman Emperor, and from 1786 served for a short time as the seat of the newly founded Bishopric of Leoben, of which the former abbey church, dedicated to Saint Mary and Saint Andrew, was the cathedral. The first and only bishop died in 1800, and from 1808 the diocese was administered by the Bishops of Seckau until it was formally abolished in 1859. In 1827 the premises were auctioned off and acquired by the wheelwrights' co-operative of Vordernberg, who were primarily interested in the forests of the former abbey's estates. In 1860 the buildings were acquired by a brewer from Graz (the nunnery had had its own brewer since 1459) and have since then been used as a brewery, the Brauerei Göß.
The former abbey church, briefly the cathedral of Leoben, is now used as a parish church. It is a large late Gothic building containing an early Romanesque crypt beneath the choir, some important early Gothic frescoes in the chapel of Saint Michael and an imposing roof.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.