Kobersdorf castle was built in 1528 to the site of moated fortress from the 13th century. The history of original castle dates back to the age of Ludwig the German (806-876). The first document of Kobersdorf castle dates from 1229. The fortress withstood the first siege in 1270. 10 years later it was conquered, also 1289 after it was successfully recaptured. Finally, Duke Albrecht I and King Ándrás III concluded the peace treaty of Hainburg in 1291.
In 1319, King Karl Robert sold the estates to Count Simon II of Forchtenstein-Mattersburg. His father and uncle were the brothers of Tota, a spanish court lady of the hungarian King. Both of them have proved themselves in the spanish reconquista and were therefore allowed to wear the spanish eagle in their coat of arms.
About 1430, the artistic decoration of the fortress, from which only the baptistery remained, was made by Count Wilhelm Forchtenstein-Mattersburg, who also changed the main residence of the family from Forchtenstein to Kobersdorf. 1445, Wilhelm put the estates in pawn to the austrish Duke Albrecht VI, who in turn sold the fortress 1451 to his brother, emperor Friedrich III. When Wilhelm died in 1466, he left two daughters. According to the law, the estates has to be given back to the Hungarian Kingdom. But abiding the agreement on ceasefire of 1447, in which Albrecht VI was certified in the posession of Kobersdorf, the estates now were for the first time under Austrian rule.
In 1458 Matthias Corvinus, King of Hungary, conquered Kobersdorf, but according to the peace of Sopron 1463, the fortress remains in the Hands of Austria. Nevertheless, when count Wilhelm Forchtenstein died in 1466, Corvinus gave Kobersdorf to Weisspriach as a present, in consequence of their unfaithfulness for the Habsburg emperor.
The rampart in westward direction and a bigger chapel were erected in 1482. Both of the buildings were held in the style of the late gothic.
In 1529, the Weisspriach family enlarged the fortress of Kobersdorf to a castle and extend the rampart in the style of renaissance. However, in 1683 the turks captured the castle. They ordered the demolishing of the fortress, which existed until then besides the castle.
In 1704, Franz Kéry sold the estate to his brother-in-law Paul I. Fürst Esterházy. Henceforth, the castle lost its function as an residence. This, on the one hand, causes the preservation of the architectural style, but on the other hand, the castle got more and more derelicted. 1809 it was a quarter for french officers, 1876, a fire destroyed the roof, 1914 and 1942-45 a military prison, and 1945-47, a quarter for the russian red army.
Today the castle is known as a location of concerts, exhibitions and seminars. Parts of the castle can be rented for weddings and celebrations. By agreement, guided visitations are possible.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.