The Imperial family once used Halbturn Palace, Burgenland’s most important Baroque building, as a hunting lodge and summer palace. The palace, in northern Burgenland, and its splendid parklands, is regarded as one of Burgenland’s most esteemed historic attractions.
Halbturn palace was built in 1711 during the reign of Emperor Charles VI by Lucas von Hildebrandt, one of the most important Austrian figures in late baroque architecture. It has gone through good times and bad. Its heyday may well have been the epoch shown in an oil painting from the middle of the 18th century. During the first Turkish siege the imperial stud had been destroyed. The Halbturn estate was mortgaged for several years and passed back into imperial-royal ownership under Emperor Charles VI. After the death of Emperor Charles VI his daughter, Maria Theresia, succeeded to the throne on account of the Pragmatic Sanction of 1740.
In 1765 Maria Theresia acquired Halbturn Palace, part of the estate of Hungarian Altenburg at the time, from the Hungarian crown. She gave it as private property to her favourite daughter, Archduchess Marie Christine, as a present for her wedding to Duke Albert-Casimir von Sachsen-Teschen. For this occasion the baroque artist Anton Maulbertsch was also commissioned to paint the ceiling fresco, “Triumph of Light”.
Halbturn Palace offers a varied programme of art, culture, wine and gourmet food all year round. Fascinating annual exhibitions, high quality concert series, various summer events and the famous Pannonian Christmas Market in the historical setting of the palace draw thousands of visitors and tourists from home and abroad every year.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.