Mauthausen-Gusen concentration camp was the hub of a large group of German concentration camps that was built around the villages of Mauthausen and Sankt Georgen an der Gusen in Upper Austria. The camp operated from the time of the Anschluss, when Austria was annexed into the German Third Reich in early 1938, to the beginning of May 1945, at the end of the Second World War. Starting with a single camp at Mauthausen, the complex expanded over time and by the summer of 1940 Mauthausen had become one of the largest labour camp complexes in the German-controlled part of Europe, with four main subcamps at Mauthausen and nearby Gusen, and nearly 100 other subcamps located throughout Austria and southern Germany, directed from a central office at Mauthausen.
As at other Nazi concentration camps, the inmates at Mauthausen-Gusen were forced to work as slave labour, under conditions that caused many deaths. The subcamps of the Mauthausen complex included quarries, munitions factories, mines, arms factories and plants assembling Me 262 fighter aircraft. In January 1945, the camps contained roughly 85,000 inmates. The death toll remains unknown, although most sources place it between 122,766 and 320,000 for the entire complex.
The Mauthausen-Gusen camp was one of the first massive concentration camp complexes in Nazi Germany, and the last to be liberated by the Allies. The two main camps, Mauthausen and Gusen I, were labelled as 'Grade III' (Stufe III) camps, which meant that they were intended to be the toughest camps for the 'Incorrigible political enemies of the Reich'. Unlike many other concentration camps, which were intended for all categories of prisoners, Mauthausen was mostly used for extermination through labour of the intelligentsia – educated people and members of the higher social classes in countries subjugated by the Nazi regime during World War II. The main camp of the complex in Mauthausen is now a museum.
Mauthausen was declared a national memorial site in 1949. The main camp of the complex in Mauthausen is now a museum. The site remains largely intact, but much of what constituted the subcamps of Gusen I, II and III is now covered by residential areas built after the war.References:
The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.