The western part of the nave and the church tower are the oldest parts of the asymmetrical Vallstena church. They date from the early 13th century. A new chancel arch was built at the middle of the same century, and around circa 1300 the new choir was built. Reconstruction of the nave also started around this time; the original plan seems to have been to replace the entire nave with a new, larger nave but for some reason the work came to a halt. Similar, half-rebuilt churches are relatively common on Gotland. The sacristy was also built at this time. The interior of the church was decorated with church frescos during the 15th century.
The church and its cemetery is surrounded by a low wall, with three lychgates. The oldest of these dates from the 13th century and display some original sculptured details.
The baptismal font is the oldest fitting of the church, dating from the middle of the 13th century. The altarpiece dates from the 14th century and was acquired when the new choir was inaugurated. From the same century dates a crucifix, as well as a richly decorated chest for donations for the poor. From the 14th century are also to tombstones on either side of the altar, carrying inscriptions in both Latin and Old Gutnish; the latter in runes. A few 14th century wooden statues depicting saints originally from Vallstena Church are today housed in Gotland Museum in Visby.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.