The oldest part of the Stemkumla church is the tower. It was erected at the beginning of the 13th century. Originally it was attached to a Romanesque church dating from the 12th century, but this was replaced with the current church in stages. The choir thus dates from the middle of the 13th century, while the nave of the church was built at the beginning of the 14th century. The church has remained largely unaltered since the Middle Ages.
The almost square nave is supported by a single central pillar. The walls are decorated with church frescos from the 15th century, made by the so-called Master of the Passion of Christ. The frescos depict the Passion of Christ in one set, and another depicts four female saints, probably Saint Bridget, Saint Elizabeth, Saint Barbara, Saint Catherine and Saint Margaret The windows of the nave contain fragments of the original stained glass window panes, as do the windows of the choir. There is another set of frescos in the choir, dating from the 13th century. They depict Saint Lawrence, Saint Peter, Saint Bartholomew and Saint Paul. The choir also contains a wooden tabernacle, dated to the 14th century. Under the chancel arch between the choir and nave, a triumphal cross from the late 12th century is placed; it has been described as the finest piece of art in the church. It was made for the earlier, Romanesque church. It depicts Christ nailed to the cross only through his hands; the feet hang free and in fact are covered with shoes. Other church fittings are from the post-Reformation era, such as the sandstone altarpiece, made in 1681. The pulpit is from the middle of the 17th century and the baptismal font from the 18th century. The church also contains two runestones, dating from the 11th century.
The church cemetery contains the grave of Konrad Petterson Lundqvist Tector, a robber and murderer who was beheaded outside the church on 18 May 1876.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.