St. Florian Monastery is the largest monastery in Upper Austria, and one the most impressive examples of Baroque architecture in Austria. The monastery is dedicated to Saint Florian, whose fourth century grave lies beneath the monastery.
The monastery, named after Saint Florian, was founded in the Carolingian period. Since 1071 it has housed a community of Augustinian Canons, and is thus is one of the oldest operational monasteries in the world following the Rule of St. Augustine.
Between 1686 and 1708 the monastery complex was reconstructed in Baroque style by Carlo Antonio Carlone, whose masterpiece is St. Florian's. After his death, Jakob Prandtauer continued the work. The result is the biggest Baroque monastery in Upper Austria. Bartolomeo Altomonte created the frescoes.
Construction of the library wing began in 1744, under Johann Gotthard Hayberger. The library comprises about 130,000 items, including many manuscripts. The gallery contains numerous works of the 16th and 17th centuries, but also some late medieval works of the Danube School, particularly by Albrecht Altdorfer.
In 1827, Polish librarian Father Josef Chmel found one of the oldest Polish literary artifacts, an illuminated manuscript containing the Psalms in Latin, German and Polish in the monastery. Because of the site of discovery, it has been named the Sankt Florian Psalter, and now resides in the National Library of Poland.
In January 1941, the Gestapo seized the facility and expelled the monks. The canons returned after the end of the war.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.