The bishop's residence has been located in Brixen since the sixth century. Between 960 and 990 AD, Brixen supplanted nearby Säben as the episcopal see, and has retained its status since that time.
Brixen Cathedral is the highest-ranking church in South Tyrol, and historically one of the most interesting. Today, the cathedral thus reflects almost all architectural styles from the Early Romanesque. The original Ottonian building took on a new Romanesque design in the twelfth century, gaining a three-aisled nave with crypt and three apses in addition to two front towers. There were more additions in the Gothic and Baroque periods.
The North Tower got its early Baroque style between 1610 and 1613. Large-scale modifications were made between 1745 and 1754. Theodor Benedetti’s high altar and the statues and frescoes by Paul Troger, Joseph Schöpf, Dominikus Molling and Michelangelo Unterperger originated from this period. Jacob Pirchstaller’s classical vestibule dates to 1783.
The cathedral is open daily.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.