Runkelstein Castle (Castel Roncolo) is a medieval fortification on a rocky spur near Bolzano. In 1237 Alderich Prince-Bishop of Trent gave the brothers Friedrich and Beral Lords of Wangen permission to construct a castle on the rock then called Runchenstayn.
In 1274 it was damaged during a siege by Meinhard II of Tirol, who after winning the war against Heinrich Prince-Bishop of Trent, entrusted the castle to Gottschalk Knoger of Bozen. In 1385 the Niklaus and Franz Vintler wealthy merchant brothers from Bozen bought the castle. Niklaus was counselor and financier of the Count of Tyrol, Leopold III, Duke of Austria, which allowed them to buy the castle a type of residence unfitting in this time for people of their rank. The brothers Vintler commissioned a vast restructuring of the castle: a new defence wall, moat, a cistern and more rooms were built. In 1390 the construction of the Summer House began. The house was painted with frescos, for which the castle is most famous today, inside and outside. The family also commissioned the frescoes in the Western and Eastern Palace.
In 1407 the monetary conflict between Frederick IV, Duke of Austria, Count of Tyrol and wealthy Tyrolean noble families resulted in open war. The Vintlers were drawn into these disputes and Runkelstein was besieged. Niklaus, who had allied with himself with the nobles in the 'Hawk League' lost all his wealth and possessions. His brother Franz, who had allied with the Duke remained owner of the Castle until Sigismund, Archduke of Austria, acquired it.
The Habsburg family owned the castle until 1530. Holy Roman Emperor Maximilian I gave order to renovate the castle. He furnished his apartment and commissioned a restoration of the frescos. He also ordered his Coat of Arms to be prominently displayed in the castle. Around 1500 Maximilian gave the castle to his vassal Georg von Frundsberg. He entrusted the care of the castle to a vicar. In 1520 the powder magazine on the groundfloor of the tower exploded. The explosion damaged parts of the outer wall, entrance and Eastern Palace and destroyed the tower. Afterwards the castle was neglected until King Ferdinand I bestowed it in 1530 to Sigmund von Brandis, Knight Commander of Bozen.
Later the Prince-Bishop of Trent obtained the castle anew and Prince-Bishop Bernhard von Cles gave it as a feud to the Counts of Lichtenstein-Kastelkorn. In 1672 a fire destroyed the eastern palace, which was never rebuilt. In 1759 the last Liechtenstein-Kastelkorn gave back the fief to the Trentine bishops. At the time the castle was in grave decay.
During the Romanticism period in the early 19th century romanticists rediscovered Runkelstein. Johann Joseph von Görres, a German writer was the first to come and was soon followed by the many artists in the service of King Ludwig I of Bavaria. In this time the castle became a symbol for the Romantic period. In 1868, the northern wall of the Summer House collapsed, but in 1880 the castles fortunes changed: Johann Salvator Archduke of Austria bought Runkelstein and gave it as a gift to Emperor Franz Josef in 1882. The emperor commissioned Friedrich von Schmidt to restore the Castle and after the restoration donated it to the city of Bozen in 1893. The last restoration, including a careful restoration of the frescos was carried out in the late 1990s.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.