Reifenstein Castle (Castel Tasso in Italian) is one of the best preserved castles of South Tyrol. The castle was first documented in 1100 AD as feud of the Bavarian Earls Lechsgmünd, while from 1110 on the castle was enfeoffed to the Lords of Stilves, who proceeded in building the castle and called it “Reifenstein”.
In the following centuries the castle repeatedly changed hands, up to the year 1405, when the Lords of Sabiona came into the possession of Castel Tasso. Afterwards the Archduke Sigismund moved into the castle, who sold the castle to the German Chivalric Order in 1470. Until this Order was dissolved in 1813, the castle remained in its possession and was militarily amplified. Up to this point of time earls of Tyrol played a major role in the organisation of the postal system. After its abolition they were compensated with this castle complex. Today this castle is considered to be the best preserved castle complex all over South Tyrol, as it has never been destroyed or taken over.
Part of the complex is also the little St. Zeno church, at which Bajuwaric tree trunk coffins dating back to the 4th to 8th century have been found. A total of 10 rooms can be visited today, which are still in an excellent state. The donjon of the castle complex dates back to the 12th century, the great hall, however, dates back to the 15th century. Particularly interesting is also the Green Hall with its ornaments and a fantastic late Gothic wooden latticework. Portcullis, torture chamber, court room and a subterranean dungeon characterise the real Mediaeval knight’s castle.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.