The Château de Portes overlooks the Regordane, an ancient avenue used by the pilgrims of Saint-Giles and the Croisés on their way towards the Holy Land for a distance of ten miles. The Anduze, Randon and Polignac families paid homage to the abbot of Saint-Pierre-de-Sauve for this castle between the 11th and the 14th centuries.
Raymond Guillaume de Budos, the nephew of Pope Clement V, bought the seigniory in 1322, and added at least two additional flanks to the castle in 1384. Thibaud de Budos recovered the castle after deposing his father André, who had joined with the English at the beginning of the Hundred Years' War.
The seigniory became increasingly rich and powerful until Louis XII set it up as a marquisat in favour of Antoine Hercules de Budos, to whom is undoubtedly owed the form of the present castle.
The castle was sold to king Louis XVI in 1781. With the French Revolution, the castle was nationalised and sold to six successive owners. In 1841, in the hands of the Vernede family, the monument was restored from its decrepit condition.
In 1929, following the intensive exploitation of the coal mines under the site, the ground broke down ruining the castle and forcing its evacuation. The village was rebuilt about 300 metres further. Circa 1960, the grounds were stabilised and in 1972 an association was formed to recover the castle. It has been classified as a historical monument since 1984.
The castle has a singular architectural style among castles in Europe because of its 49 degree spurs in the shape of a ship's bow, which earned the castle its nickname of a vessel in the Cévennes.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.