The Tempio Voltiano is a museum in the city of Como, Italy that is dedicated to Alessandro Volta, a prolific scientist and the inventor of the electrical battery. Volta was born in Como in 1745, held his first professorship there until 1779, and retired to Como in 1819.
The neoclassical building was designed by Federico Frigerio (1873–1959). It was completed in 1927 to celebrate the 100th anniversary of the scientist's death, but it was inaugurated only in 1928. It hosts a collection of scientific instruments used by the physicist including his early voltaic piles (batteries). The first floor has a display of his personal belongings and his awards.
It is one of the most visited museums in town. The temple was featured on the back of the 10,000 lire banknote, while Volta's portrait was depicted on the front of the same banknote. Banknotes based on the Italian lira have since been replaced by notes denominated in Euros.
In the nearbies of the Tempio Voltiano, there are the new statue of Daniel Libeskind named Life Electric and the Faro Voltiano. both dedicated to Volta.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.