Arbroath Abbey was founded in 1178 by King William the Lion for a group of Tironensian Benedictine monks from Kelso Abbey. It was consecrated in 1197 with a dedication to the deceased Saint Thomas Becket, whom the king had met at the English court. It was William's only personal foundation — he was buried before the high altar of the church in 1214.
The Abbey, which was the richest in Scotland, is most famous for its association with the 1320 Declaration of Arbroath, believed to have been drafted by Abbot Bernard, who was the Chancellor of Scotland under King Robert I.
The last Abbot was Cardinal David Beaton, who in 1522 succeeded his uncle James to become Archbishop of St Andrews. The Abbey is cared for by Historic Scotland and is open to the public throughout the year.
The Abbey was built over some 60 years using local red sandstone, but it gives the impression of a single coherent, mainly 'Early English', architectural design, but the round-arched processional doorway in the western front looks back to late Norman or transitional work. The triforium (open arcade) above the door is unique in Scottish medieval architecture. It is flanked by twin towers decorated with blind arcading.
What remains of it today are the sacristy, added by Abbot Paniter in the 15th century; the southern transept, which features Scotland's largest lancet windows; part of the choir and presbytery; the southern half of the nave; parts of the western towers; and the western doorway. The church originally had a central tower and (probably) a spire, which would once have been visible for many miles over the surrounding countryside and certainly acted as a sea-mark for ships.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.