Roman Theatre

Vienne, France

The Roman theatre in Vienne was built around 40-50 AD and is considered to be one of the largest theatres in Roman Antiquity with a capacity of 11500 seats and a diameter of 130 metres. In the 2nd century it was double sized by a second smaller theater, the odeon, which was built nearby on the southern slope of the ravine of Saint-Marcel.

The annual Vienne Jazz Festival has been held on the ancient theatre since 1980. 

Comments

Your name



Address

Rue du Cirque 7, Vienne, France
See all sites in Vienne

Details

Founded: 40-50 AD
Category: Prehistoric and archaeological sites in France
Historical period: Roman Gaul (France)

More Information

www.vienne-tourisme.com

Rating

4.5/5 (based on Google user reviews)

User Reviews

Allison Emanuel Arato (2 years ago)
Under renovation unfortunately.
Brian Thome (2 years ago)
A construction site. Lots of workers look like they are wiping out every last vestige of imperial Rome. Or something like that. See for yourself by climbing up to the the belvedere overlooking the site.
Lukas Zeman (3 years ago)
Beautiful!
Stephani Kyle (3 years ago)
Catch any show here! Jazz fest was an awesome experience - so cool to be able to sit in such an ancient and still functional theater. Bring a seat cushion. Parking in the city may not be easy but note that if you don’t want to wait for the 1am back to Lyon you will have very little options as we could not find an Uber or taxi out. It worth getting there early or staying late to visit the courtyard nearby.
Zahara Rouge (3 years ago)
Fun, but very slippery of wet
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Trinity Sergius Lavra

The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.

The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.

Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.

In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.

The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.

In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by  Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.

After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.

In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.

Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.

In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.

In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.