Brzeg Town Hall is a Renaissance building designed by Bernard Niuron built between 1569 and 1577. It is considered to be one of the most important Renaissance monuments in Poland. In addition to its role as the seat of the municipal government of Brzeg, the building houses several other institutions.
The first building housing the municipal government in Brzeg already existed in the 14th century but was burned down in the town's great fire during the reign of George II of Brieg. The present town hall was built between 1569 and 1577. It was designed by the Italian architect Bernardo Niuron, assisted by the Italian builder Jakub Parr. In later years, the building underwent minor alterations in some of its rooms which were adapted for administrative purposes. In 1926, a Renaissance gate, from one of the Brzeg townhouses, was added to the southern façade.
The town hall is a Renaissance structure built in the town square, surrounded by an inner courtyard of townhouses. It has two storeys and a saddle roof. The most interesting part of the building is its western side. In the corner there are two quadrangular towers with tented roofs and roof lanterns. Between them spans a five-axis loggia, with semicircular arches on the ground floor. Over the loggia there is another level with windows which are separated by a cornice from the mansard roof. Fragments of the façade are covered with sgraffito decorations from the seventeenth-century. There is a four-sided central tower with an octagonal cupola topped with a balustrade and two roof lanterns. The interiors have been preserved with halls and corridors of the original design, most notably the Hall of Councillors with its wall paintings and fine ceiling.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.