The Schloss Nörvenich was established in around 1400 by Wilhelm von Vlatten and was remodeled on numerous occasions over the centuries.
In the 15th century, the property fell through marriage to Konrad Scheiffart von Merode-Bornheim. Wilhelm Scheiffart von Merode and his wife Agnes von Bylandt enlarged the house in the middle of the 16th century to the West Wing. At the end of the 16th century, the castle fell through marriage to Baron Johann Otto von Gymnich, whose family remained in possession of it until the 19th century. It then passed to Count Wolff-Metternich von Gymnich, and became known for a period as Schloss Gymnich.
Just before the Second World War, the schloss was taken over by non-aristocratic owners, and since that time it has repeatedly changed hands. The sculptor Rückriem lived and worked here from 1963 to 1971, and several Canalbums were recorded here in the late 1960s and early 1970s including Soundtracks and Tago Mago; the band moved out of the castle in late 1971. The building now houses the Museum of European Art.
In 1982, there were unearthed the remains of an earlier fortress dating to around 1350, and medieval pottery. This earlier structure is believed to have been demolished down to the foundation in 1400 to enable the construction of a new, larger building.
The current two-storey mansion dates to the 18th century, and stands on a high basement. It has a heavy tiled hipped roof and dormers and Gothic brickwork. Around 1950, the greater part of the roof collapsed, and the building underwent extensive restoration. A number of rooms feature richly designed stucco ceilings in the Regency style, with allegorical figures and the arms of the former aristocratic owners commonplace.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.