Heisterbach Abbey was a Cistercian monastery in the Siebengebirge near Oberdollendorf. The tradition of its origin is that a knight named Walther lived as a hermit on the Stromberg, also known as the Petersberg, one of the mountains forming the Siebengebirge. When numerous disciples began to settle near his cell, he built a monastery in 1134, where the community lived according to the Rule of St. Augustine. After the death of Walther however his disciples left the monastery on the Petersberg and built another on the Sulz.
In 1189 Philip, Archbishop of Cologne, requested Gisilbert, abbot of the Cistercian Himmerod Abbey in the Bishopric of Trier, to re-settle the deserted monastery of Petersberg with Cistercians from Himmerod. On 22 March 1189, therefore, twelve Cistercian monks with the newly appointed Abbot Hermann took possession of it.
Three or four years later they moved to the foot of the mountain, where they built a new monastery which they called Petersthal or Heisterbach, which was the name which prevailed.
The famous basilica of Heisterbach was begun by Abbot Gerard (1195–1208), and consecrated in 1237 under Abbot Henry (1208–1244). Being built during the period of transition from the Romanesque round arch to the Gothic pointed arch, its style of architecture was a combination of the Romanesque and the Gothic.
Heisterbach, which had large possessions and drew revenues from many neighbouring towns, remained one of the most flourishing Cistercian monasteries until its suppression in 1803. The library and the archives were given to the city of Düsseldorf; the monastery and the church were sold and torn down in 1809, and only the apse with the ruins of the choir remains.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.