The Château de la Napoule was constructed in the 14th century by the Countess of Villeneuve. Over the centuries it was rebuilt several times. In the 19th century it was turned into a glass factory. In 1918, it was purchased by Americans, Henry Clews Jr. and Marie Clews (1880-1959), who restored and moved into the castle. They added additional sections in their own personal style, with sculptures by Henry Clews Jr. The castle is owned by the La Napoule Art Foundation, which was founded in 1951 by Marie Clews, and serves as a cultural centre.
After Henry's death and during the Second World War, the castle was captured by German soldiers. Marie Clews served the soldiers by acting as the maid of the castle's staff so she could stay close to her home and the memory of her husband.
When the Clews acquired the castle, the park had cedar and eucalyptus trees, and had been abandoned for years. Marie Clews began the restoration of the gardens. The park of the castle today has elements of a garden à la française and of an English landscape garden, with a grand alley, basins, perspectives, and views of the sea. In addition, there are three smaller gardens in the Italian style: the Garden de la Mancha next to the Tower of La Mancha, under which the mausoleum of the Clews family is located; the terraces which overlook the Bay of Cannes, which are planted with cypress trees, hedges and rosemary; and the secret garden, in a corner of the walls with windows looking at the sea, with a Venetian well in the centre.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.