Housed in the bishop’s palace, the oldest parts of which date back to the 11th century, Lausanne Historical Museum has since 1918 been telling the story of the city of Lausanne and the economic, social and urban changes it has experienced.
In its permanent exhibition, it tells the story of Lausanne, from its prehistoric origins through to the economic, social and urban revolutions of the 19th century.
The collections boast a wealth of iconographic exhibits presenting the city, its inhabitants and their ways of life, including oil paintings, engravings, maps, posters and photographs, the first plates of which date back from the time of the pioneers in 1840. These are complemented by thousands of objects, including pewter, costumes, pottery, furniture and tools, with an outstanding selection of pieces of Lausanne silverware taking pride of place.
The most amazing item is surely the incredible model representing 17th century Lausanne on a 1/200 scale. It is based on a 1638 map made from a high view point and the first cadastral map of 1723.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.