Château Saint-Maire ('Saint-Maire Castle') was built from 1397 to 1425 by the Bishops of Lausanne to serve as their fortified residence. Begun under Guillaume of Menthonay, it was completed under his successor, Guillaume of Challant, and named after Saint Marius, the first Bishop of Lausanne. It served as the bishop's residence until 1536, when Bern captured Lausanne and secularized the bishopric (the bishop, Sébastien of Montfalcon, escaped through a hidden stairwell). The Bernese installed a bailiff in the château and used it as an armory. Upon the creation of the canton of Vaud in 1803, it became seat of the cantonal government, a role it has retained.
The château was built as a single massive rectangular block, as was common at the time, with brick for the upper portion and sandstone for the lower portion. It originally had Ghibelline merlons, which gave it a somewhat Italian appearance, but due to the wet climate, the roof was extended and the merlons filled, probably in the 16th century. The windows that form a row just below the eaves fill the gaps between the merlons, and the arches above the windows fill the v-shaped openings in the Ghibelline style of merlon.
In 1789, the Bernese built an annex on the west side of the castle, through which it is now entered. A tower that formerly stood next to the château was demolished in 1890, and around the same time, a statue of Abraham Davelwas installed against the front wall.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.