The Abbey of Santa María la Real de Las Huelgas is a monastery of Cistercian nuns located approximately 1.5 km west of the city of Burgos. Historically, the monastery has been the site of many weddings of royal families, both foreign and Spanish, including that of Edward I of England to Eleanor of Castile in 1254, for example.
In 1187, Pope Clement III issued a papal bull authorising the founding of a monastery dedicated to the Virgin Mary. In June of the same year, Alfonso VIII of Castile, at the behest of his wife, Eleanor of England, granted the foundational charter stipulating that the monastery was to be governed by the Cistercian Order. Until the 16th century, it enjoyed many royal privileges granted to it by the king, including exemption from taxes, the lordship of many villages and territories (governed by the monastery's abbess), and the possession of many of the royal families' valued personal items, most of them religious. It is even claimed that, until the Council of Trent, the abbess was able to hear confession and give absolution, like a priest.
Alfonso VIII, who was himself to be buried at Las Huelgas, along with his wife, Eleanor, created the affiliated Royal Hospital, with all its dependencies, subject to the Abbess. The hospital was founded to feed and care for the poor pilgrims along the Camino de Santiago.
A community of lay brothers developed to help the nuns in their care of the hospital's patients, who became known as the Brothers Hospitallers of Burgos. There were never more than a dozen of them, but they formed an independent religious Order in 1474. The Brothers survived as an Order until 1587, when their Order was suppressed and they were again placed under the authority of the abbess.
Currently, the monastic community is part of the Spanish Congregation of St. Bernard, a reform movement of Cistercian nuns, which arose during the 16th and 17th centuries. The nuns support themselves through the decoration of porcelain items, making rosaries and providing laundry services for local hotels.
The monastery is open to the public. Visits are administered not by the monastic community, but by the Spanish heritage organisation Patrimonio Nacional, which maintains the property as a Spanish royal site.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.