The Burgos Cathedral construction began in 1221 and was completed in 1567. It is a comprehensive example of the evolution of Gothic style, with the entire history of Gothic art exhibited in its superb architecture and unique collection of art, including paintings, choir stalls, reredos, tombs, and stained-glass windows.
The plan of the Cathedral is based on a Latin Cross of harmonious proportions of 84 by 59 metres. The three-story elevation, the vaulting, and the tracery of the windows are closely related to contemporary models of the north of France. The portals of the transept may also be compared to the great sculpted ensembles of the French royal domain, while the enamelled, brass tomb of Bishop Mauricio resembles the so-called Limoges goldsmith work. Undertaken after the Cathedral, the two-storied cloister, which was completed towards 1280, still fits within the framework of the French high Gothic.
After a hiatus of nearly 200 years, work resumed on the Burgos Cathedral towards the middle of the 15th century and continued for more than 100 years. The work done during this time consisted of embellishments of great splendour, assuring the Cathedral’s continued world-renown status. Two architects, Juan de Vallejo and Juan de Castañeda, completed the prodigious cupola with its starred vaulting in 1567, the Burgos Cathedral unified one of the greatest known concentrations of late Gothic masterpieces: the Puerta de la Pellejería (1516) of Francisco de Colonia, the ornamental grill and choir stalls, the grill of the chapel of the Presentation (1519), the retable of Gil de Siloe in the Constable's chapel, the retable of Gil de Siloe and Diego de la Cruz in Saint Anne's chapel, the staircase of Diego de Siloe in the north transept arm (1519), the tombs of Bishop Alonso de Cartagena, Bishop Alonso Luis Osorio de Acuña, the Abbot Juan Ortega de Velasco, the Constable Pedro Hernández de Velasco and, his wife Doña Mencía de Mendoza, etc.
Thereafter, the cathedral continued to be a monument favoured by the arts: the Renaissance retable of the Capilla Mayor by Rodrigo and Martin de la Haya, Domingo de Berriz, and Juan de Anchieta (1562-1580), the tomb of Enrique de Peralta y Cardenas in the chapel of Saint Mary, the chapel of Santa Tecla, and the 'trascoro' of the 18th century.
The cathedral was declared a World Heritage Site by UNESCO on October 31, 1984. It is the only Spanish cathedral that has this distinction independently.
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Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.