Miraflores Charterhouse is an Isabelline style Carthusian monastery built on a hill (known as Miraflores) about three kilometers of the center of Burgos.
Its origin dates back to 1442, when king John II of Castile donated a hunting lodge located outside city of Burgos, which had been erected by his father Henry III of Castile 'the Mourner' in 1401, to the Order of the Carthusians for its conversion into a monastery, thus fulfilling his father's desire, stated in his will. A fire in 1452 caused the destruction of the pavilion, and construction of a building began in 1454. It is this building, which was placed under the patronage of Saint Mary of the Annunciation, which exists today. The work was commissioned to Juan de Colonia, and was continued after his death by his son, Simón de Colonia, who completed the structure in 1484 at behest of Queen Isabella I of Castile, surviving daughter of kings John II of Castile and Isabella of Portugal, whose impressive buried are housed in the monastery.
It is a latter-Gothic jewel, and its highlights include the church, with Isabelline style's western facade decorated with the coats of its founders. The monastery consists of a single nave with stellar vault and side chapels, and is topped by a polygonal apse.
The main altarpiece of the Charterhouse was carved in wood by artist Gil de Siloé and polychrome and gilded by Diego de la Cruz (whose gold came from the first shipments of the American continent after its discovery). Made between 1496 and 1499, is undoubtedly one of the most important existing works of the Spanish Gothic sculpture, by its compositional and iconographic originality and excellent quality of carving, valued by the polychrome.
The royal sepulchers's set were designed by artist Gil de Siloé commissioned by Queen Isabella I of Castile. On the one hand is the Sepulchers of John II of Castile and Isabella of Portugal, placed in the nave's center, eight-pointed star shaped. And in the Gospel side of the church is located the Sepulcher of infante Alfonso of Castile. Both sepulchers were made in alabaster and are late-Gothic sculpture's jewels.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.