The Church of St. Blaise is a Baroque church in Dubrovnik and one of the city's major sights. Saint Blaise (St. Vlaho), identified by medieval Slavs with the pagan god Veles, is the patron saint of the city of Dubrovnik and formerly the protector of the independent Republic of Ragusa.
The church was built in 1715 by the Venetian architect and sculptor Marino Gropelli (1662-1728) on the foundations of the badly damaged Romanesque medieval church. He modeled the church on Sansovino's Venetian church of San Maurizio.
The church consists of a single square nave with a ground plan in the form of an inscribed Greek cross, an apse flanked by two sacristies and an oblong cupola in the center. A flight of stairs leads to the portal, decorated with statues of angels. The facade is divided by four Corinthian columns. On top of the facade is a semicircular gable and a balustrade with three statues by Marino Gropelli: a free standing Saint Blaise (in the middle) and personifications of Faith and Hope.
The barrel-vaulted interior is richly decorated in Baroque style. The Corinthian columns in the center bear the tambour of the cupola and lantern. The corners of the nave show blind cupolas. The main altar, in a combination of white and polychrome marble, shows in a high niche a precious, gilt silver Gothic statue of Saint Blaise, crafted in the 15th century by an unknown local master. The saint shows in his left hand a scale model of the Romanesque church which was destroyed by the earthquake in 1667. He is flanked by two kneeling angels. This statue was the only one to survive the fire of 1706. The domed antependium is decorated with two angels who unveil a curtain in front of a medallion.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.