The Church of St. Blaise is a Baroque church in Dubrovnik and one of the city's major sights. Saint Blaise (St. Vlaho), identified by medieval Slavs with the pagan god Veles, is the patron saint of the city of Dubrovnik and formerly the protector of the independent Republic of Ragusa.
The church was built in 1715 by the Venetian architect and sculptor Marino Gropelli (1662-1728) on the foundations of the badly damaged Romanesque medieval church. He modeled the church on Sansovino's Venetian church of San Maurizio.
The church consists of a single square nave with a ground plan in the form of an inscribed Greek cross, an apse flanked by two sacristies and an oblong cupola in the center. A flight of stairs leads to the portal, decorated with statues of angels. The facade is divided by four Corinthian columns. On top of the facade is a semicircular gable and a balustrade with three statues by Marino Gropelli: a free standing Saint Blaise (in the middle) and personifications of Faith and Hope.
The barrel-vaulted interior is richly decorated in Baroque style. The Corinthian columns in the center bear the tambour of the cupola and lantern. The corners of the nave show blind cupolas. The main altar, in a combination of white and polychrome marble, shows in a high niche a precious, gilt silver Gothic statue of Saint Blaise, crafted in the 15th century by an unknown local master. The saint shows in his left hand a scale model of the Romanesque church which was destroyed by the earthquake in 1667. He is flanked by two kneeling angels. This statue was the only one to survive the fire of 1706. The domed antependium is decorated with two angels who unveil a curtain in front of a medallion.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.