The Cathedral of Astorga edifice was begun in 1471, within the same walls of its Romanesque predecessors from the 11th-13th centuries. The construction lasted until the 18th century, thus to its original Gothic style appearance were added elements from later styles, such as the Neo-Classicist cloister (18th century), the Baroque towers, capitals and the façade, and the Renaissance portico.
The interior houses numerous artworks, such as the Flemish-Spanish retablo of St. Michael, and the large high altar by Gaspar Becerra (1558), considered a masterwork of the Spanish Renaissance sculpture. Other sculptures include the Purísima by Gregorio Fernández (1626), St. John the Baptist and St. Jerome by Mateo del Prado (17th century) and the Christ of the Waters (14th century).
Next to the church is the Neo-medieval Episcopal Palace, designed by Antoni Gaudí.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.