The Roman Circus of Toledo was built during the 1st century, during the mandate of the emperor Augustus or the emperor Tiberius. Possibly, its construction was included within the plan that the emperor undertook by all the Empire to endow to all the great cities of public buildings, like thermaes, theaters, amphitheaters, or forums, with the aim of promoting the Romanization in these zones. In particular, the Roman circus was located in the north of the Roman city.
Given the size of the Circus, as it happened in almost all Hispanic-Roman cities, it was located on the outskirts of the walled enclosure. It is certain that from the city there was a causeway to the circus, which has not been found.
Although little investigated, since more than half of the infrastructure still remains without excavating, its similarities with other circuses of the peninsula, like the one of Emerita Augusta, allow to affirm that its capacity had to be between the 15,000 or 30,000 spectators, which initially proved sufficient to meet the needs of the city as well as other surrounding towns. The Roman circus had dimensions of 422 meters long by about 112 meters wide.
With the information available, it is not known that the Roman Circus of Toletum was used for naumachia (recreation of naval battles) as it happened, for example, in the Roman circus of Tarraco.
The decline of the building arrived with the arrival at the Christianity that rejected this type of events. Finally, it was with the arrival of the Visigothic domination when it ended up being abandoned. From this moment, the expolio of the sillars of granite that covered the Opus Camenticium to re-use it in other constructions. This expolio will extend during practically all the High Middle Ages.
During the Muslim stage, at least initially, the stands of the Circus were used by merchants to locate their establishments there. Later, the Arabs used the circus like cemetery, of which can be observed to the naked eye many vestiges. Currently, the medieval cemetery remains there, which makes the archaeological park an important medieval cemetery.
During the Late Middle Ages, it is possible that the plunder would end, although the buildings were abandoned on the outskirts of the medieval city, which made it easier for the inhabitants to bury them and the Toledans forget the location of these.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.