Svaneholm Castle (Svaneholms slott) was initially erected in the 1530s by the Danish knight and royal advisor Mourids Jepsen Sparre. Original murder-holes in the oldest castle walls are still preserved.
During the Middle Ages the residence was called Skurdorp (Skudrup), which was fortified and situated next to the parish church, where remains still can be seen. During the mid-15th century it was owned by guardsman Henning Meyenstorp (Meinstrup) and through marriage it later came to the possession of the Sparre-family. Approximately 1530 the residence was moved from Skurup to an islet in the Lake Svaneholmssjön, after that it was called Svaneholm. Through inheritance and purchase Svaneholm Castle came to the possession of Prebend Gyllenstierna in 1611.
At the death of his great-grandson Axel Gyllenstierna in 1705, the castle went to the nephew Axel Julius Coyet via testament, but 1723 his aunt Sofie Gyllenstiernagained half of the properties via trial. Her half was 1751 bought by baron Gustaf Julius Coyet. 1782 it was inherited by Coyet's nephew, baron Rutger Maclean — "The reformer of Scanian agriculture". At Maclean's death in 1816, Svaneholm Castle was inherited by his nephew Kjell Christoffer Bennet and his three siblings, 1839 it was sold to chamberlain Carl Johan Hallenborg and belonged to his son and grandchild until 1902 when it was redeemed bycount Carl Augustin Ehrensvärd, married to a Miss Hallenborg.
A year after the death of Ehrensvärd in 1934, Svaneholm Castle, the park, the garden, most of the lake and the surrounding forest was purchased by the Svaneholm Castle Cooperative Society. The castle now houses a museum run by Wemmenhög Hundred's Momuments and Home District Society.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.