Svaneholm Castle (Svaneholms slott) was initially erected in the 1530s by the Danish knight and royal advisor Mourids Jepsen Sparre. Original murder-holes in the oldest castle walls are still preserved.
During the Middle Ages the residence was called Skurdorp (Skudrup), which was fortified and situated next to the parish church, where remains still can be seen. During the mid-15th century it was owned by guardsman Henning Meyenstorp (Meinstrup) and through marriage it later came to the possession of the Sparre-family. Approximately 1530 the residence was moved from Skurup to an islet in the Lake Svaneholmssjön, after that it was called Svaneholm. Through inheritance and purchase Svaneholm Castle came to the possession of Prebend Gyllenstierna in 1611.
At the death of his great-grandson Axel Gyllenstierna in 1705, the castle went to the nephew Axel Julius Coyet via testament, but 1723 his aunt Sofie Gyllenstiernagained half of the properties via trial. Her half was 1751 bought by baron Gustaf Julius Coyet. 1782 it was inherited by Coyet's nephew, baron Rutger Maclean — "The reformer of Scanian agriculture". At Maclean's death in 1816, Svaneholm Castle was inherited by his nephew Kjell Christoffer Bennet and his three siblings, 1839 it was sold to chamberlain Carl Johan Hallenborg and belonged to his son and grandchild until 1902 when it was redeemed bycount Carl Augustin Ehrensvärd, married to a Miss Hallenborg.
A year after the death of Ehrensvärd in 1934, Svaneholm Castle, the park, the garden, most of the lake and the surrounding forest was purchased by the Svaneholm Castle Cooperative Society. The castle now houses a museum run by Wemmenhög Hundred's Momuments and Home District Society.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.