The Clérigos Church ('Church of the Clergymen') is a Baroque church in Porto. Its tall bell tower, the Torre dos Clérigos, can be seen from various points of the city and is one of its most characteristic symbols.
The church was built for the Brotherhood of the Clérigos (Clergy) by Nicolau Nasoni, an Italian architect and painter who left an extense work in the north of Portugal during the 18th century.
Construction of the church began in 1732 and was finished around 1750, while the monumental divided stairway in front of the church was completed in the 1750s. The main façade of the church is heavily decorated with baroque motifs (such as garlands and shells) and an indented broken pediment. This was based on an early 17th-century Roman scheme. The central frieze above the windows present symbols of worship and an incense boat. The lateral façades reveal the almost elliptic floorplan of the church nave.
The Clérigos Church was one of the first baroque churches in Portugal to adopt a typical baroque elliptic floorplan. The altarpiece of the main chapel, made of polychromed marble, was executed by Manuel dos Santos Porto.
The monumental tower of the church, located at the back of the building, was only built between 1754 and 1763. The baroque decoration here also shows influence from the Roman Baroque, while the whole design was inspired by Tuscan campaniles. The tower is 75.6 metres high, dominating the city. There are 240 steps to be climbed to reach the top of its six floors. This great structure has become the symbol of the city.
In Porto, Nicolau Nasoni was also responsible for the construction of the Misericórida Church, the Archbishop's Palace and the lateral loggia of Porto Cathedral. He entered the Clérigos Brotherhood and was buried, at his request, in the crypt of the Clérigos Church, with the exact place remaining unknown.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.