Soares dos Reis National Museum is the first Portuguese national museum exhibiting collections of Portuguese art, including a collection by Portuguese sculptor António Soares dos Reis, from which the museum derives its name.
The museum was founded in 1833 as Museum Portuense by King Peter IV. Initially it was housed in the Convent of Santo António (in the centre of Porto), exhibiting religious art confiscated from Portuguese convents, and those works of art expropriated from the absolutist followers of Miguel I (who had struggled against Peter IV a year before).
During the 19th century the museum made several acquisitions that were integrated into the main collection.
But, it was in 1911 that the museum obtained its collection of work by Soares dos Reis, a celebrated Portuense sculptor, taking on the name of its benefactor.
In 1942 the museum was transferred from the centre of the city to the former-residence of the Moraes e Castro family, known commonly as the Carrancas (which means scowlers/frowners, a passing reference to the disapproving nature of its members). The large building provided the spaces and conditions to store and exhibit the collections. Over time, the spaces were expanded and modernised under a project by architect Fernando Távora.
The museum has a vast collection mainly focused on Portuguese art of the 19th and 20th centuries, including painting, sculpture, furniture, metalwork and ceramics.
Artists represented include painters Domingos Sequeira, Vieira Portuense, Augusto Roquemont, Miguel Ângelo Lupi, António Carvalho de Silva Porto, Marques de Oliveira, Henrique Pousão, Aurélia de Souza, Dórdio Gomes, Júlio Resende and sculptors Soares do Reis, Augusto Santo, António Teixeira Lopes, Rodolfo Pinto do Couto and many others.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.