Soares dos Reis National Museum is the first Portuguese national museum exhibiting collections of Portuguese art, including a collection by Portuguese sculptor António Soares dos Reis, from which the museum derives its name.
The museum was founded in 1833 as Museum Portuense by King Peter IV. Initially it was housed in the Convent of Santo António (in the centre of Porto), exhibiting religious art confiscated from Portuguese convents, and those works of art expropriated from the absolutist followers of Miguel I (who had struggled against Peter IV a year before).
During the 19th century the museum made several acquisitions that were integrated into the main collection.
But, it was in 1911 that the museum obtained its collection of work by Soares dos Reis, a celebrated Portuense sculptor, taking on the name of its benefactor.
In 1942 the museum was transferred from the centre of the city to the former-residence of the Moraes e Castro family, known commonly as the Carrancas (which means scowlers/frowners, a passing reference to the disapproving nature of its members). The large building provided the spaces and conditions to store and exhibit the collections. Over time, the spaces were expanded and modernised under a project by architect Fernando Távora.
The museum has a vast collection mainly focused on Portuguese art of the 19th and 20th centuries, including painting, sculpture, furniture, metalwork and ceramics.
Artists represented include painters Domingos Sequeira, Vieira Portuense, Augusto Roquemont, Miguel Ângelo Lupi, António Carvalho de Silva Porto, Marques de Oliveira, Henrique Pousão, Aurélia de Souza, Dórdio Gomes, Júlio Resende and sculptors Soares do Reis, Augusto Santo, António Teixeira Lopes, Rodolfo Pinto do Couto and many others.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.