The Municipal Museum of Ciutadella is a general history and archaeological museum with a permanent exhibition on the history of Ciutadella and of the island itself from prehistoric times through to the Muslim era and the arrival of king Alfonso III in 1287. Visitors can take a tour through the island's various historical periods, represented by the archaeological remains and artefacts on display. The Historic and Artistic Museum of Ciutadella was officially opened in 1935 on the ground floor of the Town Hall.
The museum regularly holds temporary exhibitions to show particular historic periods not covered by the permanent exhibition, aspects of anthropology or recent acquisitions and new collections. The museum provides guided tours for groups, which should be booked in advance.
In 1995, it was moved to the Bastió de sa Font building which was one of five bastions built to protect the five entrances set into the walls around the town. The bastion originally served as a water tank and was filled by collecting rainwater. The permanent exhibition starts with the early settlers on the island and with a display cabinet on the pre-Talayotic period showing the way of life and customs of that era. After this, the Talayotic period is the subject of a large display dealing with the way of life, customs and relationships of this native culture of Menorca and Mallorca. The next section shows the Roman era. To end the exhibition on this period, there is a display cabinet on the origins of Christianity in Menorca and paleo-Christian basilicas. Lastly, there is an area on Vandal attacks, on the Byzantine Empire, the late Roman Empire and the beginning of the Muslim era in Menorca.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.