Top historic sites in Menorca
Ciutadella de Menorca Cathedral
The Cathedral Basilica of Ciutadella de Menorca was constructed on the orders of King Alfonso III of Aragon, the conqueror of the island, in 1287 on the site of an old mosque. Construction started in 1300 and was finished in 1362, creating a building of the Catalan Gothic style, and is notable for the width of the nave, flanked by six chapels to each side. The five-sided apse is oriented to the east. After the d ...Cap d’Artrutx Lighthouse
The Cap d’Artrutx Lighthouse is an active 19th century lighthouse located on the low-lying headland on Menorca. It was completed in 1859 but the tower was significantly increased in 1969. Automated in 1980, the keeper’s accommodation is now used as a restaurant. It was designed by the architect Emili Pou who planned a number of lights in the Balearic Islands. The original tower was much shorter than that seen to ...Municipal Museum of Ciutadella
The Municipal Museum of Ciutadella is a general history and archaeological museum with a permanent exhibition on the history of Ciutadella and of the island itself from prehistoric times through to the Muslim era and the arrival of king Alfonso III in 1287. Visitors can take a tour through the island"s various historical periods, represented by the archaeological remains and artefacts on display. The Historic and Art ...Cales Coves Necropolis
Cales Coves is an emblematic and spectacular prehistoric necropolis, both for its setting and for the large number of tombs in it. They take the form of a set of cavities excavated from the rock walls of the ravines and coastal cliff faces (about 90 altogether), used by local communities to bury their dead. Several types of cave have been documented. The necropolis was used for about 1000 years, from the 11th century BCE ...Sant Antoni Castle
The Sant Antoni Castle is located in the Spanish village of Fornells, in the municipality of Es Mercadal. It was built in the 17th century in the local harbour and due to this building, the town was born. Only some ruins are left from the structure, as it was dismantled by the Spanish after the British domination, just like St. Philip"s Castle. Not far from there, there is the Fornells Tower, a defensive tower ...Talatí de Dalt
Talatí de Dalt is one of the Menorca's most significant prehistoric settlements. It consists of various monuments: an elliptical-shaped conical talaiot, a taula enclosure, an area with dwellings and some caves.The taula enclosure at Talatí de Dalt is one of the largest and most beautiful in Menorca. It has an unusual aspec, as the pillar and its capital are leaning against the side edge of the centre T, probably because ...Naveta d'Es Tudons
The Naveta d"Es Tudons is the most remarkable megalithic chamber tomb in the Balearic island of Menorca. In Menorca and Majorca there are several dozen habitational and funerary naveta complexes, some of which similarly comprise two storeys. Navetas are chronologically pre-Talaiotic constructions. The Naveta d"Es Tudons served as collective ossuary between 1200 and 750 BC. The lower chamber was f ...Trepucó Talayotic Settlement
The settlement of Trepucó is one of the largest on Menorca, covering an area of around 49,240 square metres. Today, only a small part of the site can still be seen, the two oldest buildings, the talaiots (1000-700 BCE). Other remains include parts of the wall, two square towers on the west wall, the taula enclosure and traces of dwellings from the post-Talayotic period (650-123 BCE).The taula enclosure is one of the bigg ...Torralba d'en Salort Talayotic Settlement
A prehistoric settlement dating from the Naviforme period (1700-1400 B.C.), in which the foundations of a circular cabin can still be seen. The main features are two talaiots, the taula enclosure, a hypostyle room, some caves dug out of the ground and the remains of other buildings used as dwellings. The taula and its enclosure are among the largest and most beautiful on the island. The building dates from the 4th-3rd ce ...Torre d'en Galmés Talayotic Settlement
Torre d’en Galmés is the largest settlement in Menorca. Its hilltop location made it the ideal spot for keeping watch over the land on most of the island"s south coast. In chronological terms, it was occupied from the Naviforme period (1700-1400 BCE), and you can still see an underground chamber from this period near the area where water was collected, right through until the late Roman era, although some remains ...Torretrencada Talayotic Settlement
Torretrencada is a Talayotic settlement (1000-700 BCE) that was occupied until the Roman conquest in 123 BCE. Several of its monuments can still be seen. They include the talayot a seriest of artificial burial caves dug out of the rocky ground and burial chambers carved in the rock, probably dating from the high medieval period. The taula is one of the most beautiful on the island, with a reinforcement pillar at the back, ...Cala Morell Settlement
The settlement of Cala Morell is a Menorcan pretalayotic archaeological site situated on a 35-meter-high coastal headland which closes the northeast side of Cala Morell"s bay. This promontory is protected by a dry-stone wall, which is found in the area where the promontory connects to solid ground. Radiocarbon dating of the site offers an approximate chronology of its occupation between 1600 and 1200 BC. Arou ...Trebalúger Talayot
A Talayotic period settlement (1000-700 B.C.) in Trebalúger was a spectacularly large talaiyot; it is 28 metres in diameter at its widest point. It has an elliptical layout and was built on a high rocky outcrop on the site of an earlier structure from the Naviforme period dating from 1350 B.C., with the bases of the pillars still preserved inside. At the front of the monument, near the entrance, you can see the remains ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.