The 17th-century Convent of Sant Agusti, in the heart of Ciutadella, is still used as a residence for a community of nuns while also being a cultural focal point for the public at large because it houses the Diocesan Museum.
The Church of Socorro (Solace), alongside the cloister, is built in the Renaissance style, with one single nave and side chapels, covered by a barrel vault and a transept topped with a dome. The facade, defined by its two twin towers, reveals a late 18th-century gateway, with three gates opening onto a great atrium, decorated with the emblems of the Augustinian order and crowned by Our Lady of Perpetuo Socorro. It was heavily refurbished during that period, with the construction of the main reredoses, the organ and the interior decoration, which left the vaults, dome and walls covered with fresco murals.
The devastation suffered during the Civil War led to the destruction of the reredoses and the other liturgical furniture. Meanwhile, over the decades during which it was closed or used for a whole range of functions it suffered ever worsening deterioration, a process which has been arrested over the last 15 years by embarking on the costly and complex task of restoration and refurbishment now in progress. Nonetheless, only a few fragments remain. The Baroque organ was built in 1793 by the Catalan master craftsman Josep Casas i Soler, was destroyed in the Civil War, and recently rebuilt by the team of organ maker Albert Blancafort. The choir retains its beautiful walnut seating with marquetry ornamentation.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.