The present Naples cathedral was commissioned by King Charles I of Anjou. Construction continued during the reign of his successor, Charles II (1285-1309) and was completed in the early 14th century under Robert of Anjou. It was built on the foundations of two palaeo-Christian basilicas, whose traces can still be clearly seen. Underneath the building excavations have revealed Greek and Roman artifacts. The Archbishop's Palace adjoins the cathedral.
The main attraction of the interior is the Royal Chapel of the Treasure of San Gennaro, with frescoes by Domenichino and Giovanni Lanfranco, altarpieces by Domenichino, Massimo Stanzione and Jusepe Ribera, the rich high altar by Francesco Solimena, the bronze railing by Cosimo Fanzago and other artworks, including a reliquary by 14th-century French masters.
Other artworks include an Assumption by Pietro Perugino, canvasses by Luca Giordano and the palaeo-Christian baptistery, with mosaics from the 4th century. The main chapel is a restoration of the 18th century, with a Baroque relief by Pietro Bracci. The Minutolo Chapel, mentioned in Boccaccio's Decameron, has 14th-century frescoes.
The crypt is by the Lombard Tommaso Malvito. The façade was reworked by Enrico Alvino in the late 19th century, but retains the 15th century portal, including some sculptures by Tino da Camaino.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.