The present Naples cathedral was commissioned by King Charles I of Anjou. Construction continued during the reign of his successor, Charles II (1285-1309) and was completed in the early 14th century under Robert of Anjou. It was built on the foundations of two palaeo-Christian basilicas, whose traces can still be clearly seen. Underneath the building excavations have revealed Greek and Roman artifacts. The Archbishop's Palace adjoins the cathedral.
The main attraction of the interior is the Royal Chapel of the Treasure of San Gennaro, with frescoes by Domenichino and Giovanni Lanfranco, altarpieces by Domenichino, Massimo Stanzione and Jusepe Ribera, the rich high altar by Francesco Solimena, the bronze railing by Cosimo Fanzago and other artworks, including a reliquary by 14th-century French masters.
Other artworks include an Assumption by Pietro Perugino, canvasses by Luca Giordano and the palaeo-Christian baptistery, with mosaics from the 4th century. The main chapel is a restoration of the 18th century, with a Baroque relief by Pietro Bracci. The Minutolo Chapel, mentioned in Boccaccio's Decameron, has 14th-century frescoes.
The crypt is by the Lombard Tommaso Malvito. The façade was reworked by Enrico Alvino in the late 19th century, but retains the 15th century portal, including some sculptures by Tino da Camaino.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.