The Crypta Neapolitana is an ancient Roman tunnel near Naples. It was built in 37 BC, and is over 700 metres long.
The tunnel passes beneath the Posillipo hill and connects Naples with the so-called Phlegrean Fields and the town of Pozzuoli along the road known as the via Domiziana.
The eastern Piedigrotta entrance is now enclosed within an archaeological park, and the site of the villa of Vedius Pollio, and later imperial villa. The site is also noteworthy for the presence of the so-called Virgil's tomb, as well as the tomb of the Italian poet Giacomo Leopardi. Three secondary tunnels end in openings overhanging the bay, providing light and ventilation.
The name Grotta Seiano (Sejanus's cave) comes from the infamous Lucius Aelius Sejanus, prefect of Tiberius, who according to tradition, commissioned its enlargement in the first century AD. The first tunnel was built by the architect Lucius Cocceius Auctus for Agrippa during the civil war between Octavian and Sextus Pompeius in c.37 BC to connect the villa of Vedius Pollio and other patrician villas of Pausilypon (ancient Posillipo) to the ports of Puteoli and Cumae. The tunnel is one of a number of such works in the Naples area built by Cocceius.
The tunnel was still in use as a roadway until superseded by two modern tunnels in the early 20th century, and shows extensive restoration done by the architects of the Bourbon dynasty of Naples. During the Second World War it was used as a bomb shelter for the inhabitants of Bagnoli; the war and some landslides during the fifties put it back into a state of neglect. Today it has been restored as an archaeological site.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.