The Cappella Sansevero contains works of art by some of the leading Italian artists of the 18th century.
Its origin dates to 1590 when John Francesco di Sangro, Duke of Torremaggiore, after recovering from a serious illness, had a private chapel built in what were then the gardens of the nearby Sansevero family residence, the Palazzo Sansevero. The building was converted into a family burial chapel by Alessandro di Sangro in 1613 (as inscribed on the marble plinth over the entrance to the chapel). Definitive form was given to the chapel by Raimondo di Sangro, Prince of Sansevero, who also included Masonic symbols in its reconstruction. Until 1888 a passageway connected the Sansevero palace with the chapel.
The chapel houses almost thirty works of art, among which are three idiosyncratic sculptures. These statues are emblematic of the love of decoration in late-Baroque, and are made of a marble-like substance that, in whole or in part, was invented by Raimondo. Raimondo also participated in the design of the works of art in the chapel. The Veiled Truth (Pudizia, also called Modesty or Chastity) was completed by Antonio Corradini in 1750 as a tomb monument dedicated to Cecilia Gaetani dell'Aquila d'Aragona, mother of Raimondo. A Christ Veiled under a Shroud (also called Veiled Christ), shows the influence of the veiled Modesty, and was completed in 1753 by Giuseppe Sanmartino. The Release from Deception (Disinganno) by Francesco Queirolo of Genoa serves as a monument to Raimondo's father.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.