Santa Caterina a Formiello is located at the extreme eastern end of the old historic center of the city, on Via Carbonara and Piazza Enrico de Nicola. Construction of the church began about 1510, designed by the Florentine Antonio della Cava, and completed in 1593. The church was one of the first domes in Naples, and was dedicated to the virgin and martyred Saint of Alexandria. It was attached to an ancient convent originally linked to the Celestine order and which passed to the Dominican fathers after 1498. The convent hosted Dominicans until the 19th century, when it was expropriated, and ultimately became used as a wool factory.
The church has a single-aisle Latin cross interior covered by a barrel vault with five chapels on either side. The Roman Mannerist painter, Luigi Garzi, painted the large picture on the counterfacade. He also painted the triangles above the arches of the chapels, the corbels of the dome, and the great vault of the nave. The dome was painted by Paolo de Matteis. The ceilings of the chapels have frescoes by Guglielmo Borremans.
The main altar was commissioned by the Spinelli family of Cariati, to whom also belong the tombs that encircle it. The funereal monuments were completed by Scilla and Giannotto, two Milanese sculptors. On the wall, beside the altar is a Virgin with St Thomas Acquinas by Francesco Curia. A chapel on the other side has a canvas of St Dominic defeats the Albigensian Heretics by Giacomo del Po.
In the first chapel, all the paintings dedicated to St Catherine of Alessandria are by Giacomo del Po, the Visitation was painted by Garzi. In the next chapel, the chapel of St James, are collected the remains of 240 Martyrs of Otranto, that Alfonso II of Aragon had moved to Naples in 1574. The canvas of the Epiphany was painted by Silvestro Buono, and the Circumcision was completed by Paolo de Matteis. The Conversion of St. Paul was painted by Marco da Siena. The St Vincenzo Ferreri was painted by Santolo Cirillo.References:
Château de Falaise is best known as a castle, where William the Conqueror, the son of Duke Robert of Normandy, was born in about 1028. William went on to conquer England and become king and possession of the castle descended through his heirs until the 13th century when it was captured by King Philip II of France. Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840 it has been protected as a monument historique.
The castle (12th–13th century), which overlooks the town from a high crag, was formerly the seat of the Dukes of Normandy. The construction was started on the site of an earlier castle in 1123 by Henry I of England, with the 'large keep' (grand donjon). Later was added the 'small keep' (petit donjon). The tower built in the first quarter of the 12th century contained a hall, chapel, and a room for the lord, but no small rooms for a complicated household arrangement; in this way, it was similar to towers at Corfe, Norwich, and Portchester, all in England. In 1202 Arthur I, Duke of Brittany was King John of England's nephew, was imprisoned in Falaise castle's keep. According to contemporaneous chronicler Ralph of Coggeshall, John ordered two of his servants to mutilate the duke. Hugh de Burgh was in charge of guarding Arthur and refused to let him be mutilated, but to demoralise Arthur's supporters was to announce his death. The circumstances of Arthur's death are unclear, though he probably died in 1203.
In about 1207, after having conquered Normandy, Philip II Augustus ordered the building of a new cylindrical keep. It was later named the Talbot Tower (Tour Talbot) after the English commander responsible for its repair during the Hundred Years' War. It is a tall round tower, similar design to the towers built at Gisors and the medieval Louvre.Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840, Château de Falaise has been recognised as a monument historique by the French Ministry of Culture.
A programme of restoration was carried out between 1870 and 1874. The castle suffered due to bombardment during the Second World War in the battle for the Falaise pocket in 1944, but the three keeps were unscathed.