Nendrum Monastery may have been founded in the 5th century, but this is uncertain. The monastery came to an end at some time between 974 and 1178, but its church served a parish until the site was abandoned in the 15th century. Some remains of the monastery can still be seen.
Dendrochronology has dated a tide mill on the island to the year 619, making this the oldest excavated tide mill anywhere in the world. The monastic site included orchards, gardens, pastures, arable fields, and a guest-house.
The principal monastic remains which can now be seen are three concentric cashels (enclosures) of dry stone walling, but these were substantially rebuilt by Lawlor in the 1920s. The central cashel has the round tower remains, a ruined church with a sun-dial, and a graveyard. The second cashel contains what is called a 'monastic school' or workshop and other burials.
The canonical sundial now seen at one corner of the ruined church was reconstructed from fragments found during the excavation of the site in 1924 and has been dated to about the year 900. One of only a few early medieval sun-dials known to exist, it takes the form of a vertical stone pillar, 190 cm high, 40 cm wide and 15 cm thick, with the dial and gnomon on one face at the top. However, because of the nature of the reconstruction, the original height of the pillar is conjectural.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.