Audley's Castle, Downpatrick, United Kingdom

Audley's Castle is a three-storey tower house named after its 16th century owner, John Audley.

There are thousands of small stone towers similar to Audley's Castle in the Irish countryside. They are one of the commonest of archaeological sites, which indicates these were not buildings put up for the higher aristocracy, but for lesser lords and gentry. Most were built in the late Middle Ages (roughly 1350–1550). Audley's was built towards the end of this period.

There is very little historical information about the buildings in the small courtyard around Audley's. Only a minority of towers had courtyard walls at all, and their buildings were clearly less important than the tower. The towers in different parts of the country vary, with distinct regional patterns. Audley's with its two turrets linked by an arch is one of a type found in County Down only.

References:

Wikipedia

User Reviews

Jason Conradt (17 months ago)
Another cool stop on the GoT tour. Lovely views too bad you can't go into the castle .

Kathy Ward (17 months ago)
Great historic site,part of a fantastic walk. There are fabulous views of Strangford Lough. Great spot for a photo opportunity.

Jarrett Momberger (18 months ago)
Very pleasent and peaceful, has a great view

Matt Janaway (2 years ago)
My partner and I absolutely loved this place. We visited during a Game of Thrones tour and the views were spectacular. I highly recommend visiting. If you can, go with a tour guide. We were lucky enough to have an extra in the show as our guide, which made it extra special.

Chris Wilson (2 years ago)
A big old castle with a fantastic view. Whilst not readily accessible, requires walking through a field, it offers some truly spectacular views of the local countryside. Whilst not able to ourselves, we did hear that you are able to get into the castle during Summer afternoons.

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Photo from Flickr, copyright Peer.Gynt

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The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.

The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.

The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.

There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).

The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.

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