The stone church of Adelsö was built in the late 1100s. No traces have been found of the first church on the location, but it is assumed it was made of wood. This original structure was however replaced by a stone building, possibly initiated by the king living at the royal estate at Hovgården. If true, the church thus originally served both the local parish and the royal mansion.
The stone structure originally had a nave furnished with a narrow choir which possibly ended in an apse. The sacristy was added in the 14th century, and during the century that followed the tower and then the brick vaults were added. In the 1470s, the choir was widened and united with the nave. The exterior of the tower was created in 1753. and finally, 70 years later, the entrance was relocated from the southern façade to the western end; old windows were enlarged and new windows were added.
There is a baptismal font which dates from the 12th century and a crucifix from the later half of the 14th century. The pulpit dates from 1786 and the gallery from 1832. The votive ship hanging in the church was donated in 1960.
Two Viking Age memorial runestones are built into the walls of the sacristy, one designated in the Rundata catalog as Uppland Runic Inscription 1or U 1 and the other as Uppland Runic Inscription 10 or U 10. Additionally, the so called Hovgården Runestone, U 11, is located just north of the church, near the ruins of the medieval brick palace Alsnö hus.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.