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Originally the Ducal Palace of Lerma had immense gardens below it, on the banks of the river, with fountains, stately homes and seven chapels, of which one (Cristo) remains. All documents relating to its construction have been conserved. A 17th-century work, building started in 1601 under commission from Francisco Gómez de Sandoval y Rojas, Duke of Lerma. Its architect was Francisco de Mora and is it is considered de Mora's masterwork and one of the finest buildings of that era.
During the Spanish Civil War the building was used as a prison. It is currently used as a parador.
The doorway is crowned by a frontispiece held up by columns. The large walnut door is decorated with 520 bronze nails. Above the door are two of the duke's coat-of-arms, decorated with laurel. The railings of the windows and balconies are painted blue and gold.
The interior of the patio round arches on each side. The columns are made of single pieces of granite (the quarries were owned by the duke). On the upper level the columns do not support arches, but rather a running frieze with iron balconies between them, and windows which were originally made from walnut wood.
The palace has four towers at the corners, whose spires were also recovered after the restoration works. No palace could have more than two towers except those belonging to kings, but the Duke of Lerma was given this privilege due to his great powers in Court.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.