The location of Svartsjö Palace (Svartsjö Slott) has housed several royal buildings. During medieval times there was a stone house where prominent Swedish royalty lived. Gustav Vasa and his sons Erik and Johan erected a lavish renaissance palace with a round inner courtyard. It was at least partly designed by Willem Boy and completed in 1580 but burnt down in 1687. The remaining building material was shipped to Stockholm to be used in the build of the castle Tre kronor. The stone foundation was left and is visible today.
The current buildings middle section was started in 1734 and finished in 1739 on the order of Fredrik I. It was built as a hunting palace for then current queen Ulrika Eleonora using drawings by Carl Hårleman. The now Rococo palace, raised by inspiration of French palaces, became a model for Swedish country mansion architecture during the later part of the 18th century. The palace was extended on both short ends by drawings of Carl Fredrik Adelcrantz, together with a bell tower. It was given to the Queen dowager Louisa Ulrika of Prussia in the 1770s.
The palace was abandoned for over a hundred years after the death of Lovisa Ulrika in 1782. Due to the large areas of minable granite in the area the palace was transformed in 1891 into a prison. Prisoners mined the granite until 1910, when a successful trial with farming and logging proved to work better for the prison. As more violent criminals were admitted to Svartsjö Palace, a special closed section was created with 337 cells built with steel walls. In 1966 the palace ceased to be used as a prison, and the prison walls were torn down. The prison warden house still remains in the palace gardens, as well as several prison personnel houses in the nearby area.
After years of neglect the palace was restored from 1994 to 2003 by the state, to a cost of 36 million SEK. The façade has regained its light shade, made to resemble French sandstone. The windows are painted in a gold brown oak color. None of the original wallpaper was kept but wallpaper based on nearby Drottningholm Palace was used.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.