The Archaeological Museum in Zagreb has over 450,000 varied artifacts and monuments, gathered from various sources but mostly from Croatia and in particular from the surroundings of Zagreb.
The archaeological collection of the State Institute had been kept in the Academy mansion at Zrinski Square from the 1880s and remained there until 1945, when the museum moved to its current location at the 19th-century Vranyczany-Hafner mansion, 19 Zrinski Square.
The museum consists of five main sections: Prehistory, Egypt, Antiquity, Middle Ages, Coins and Medals. The section 'Prehistory' contains 78,000 objects, ranging from the Paleolithic to the Late Iron Age. The section 'Egypt' displays about 600 objects in the permanent exhibition. The section 'Antiquity' contains an important collection of Greek vases (about 1,500 vessels) and stones with inscriptions.
The Roman Antiquity is represented by many statues, military equipment, metal objects, Roman religion and art and objects from everyday life, acquired through systematic archaeological excavations in various Croatian regions in many Croatian cities founded during the Roman Empire. The numismatic section is among the largest collections of this type in Europe.
Some of the famous artifacts include Vučedol dove, a flagon shaped as a bird, Liber Linteus, 3rd century BCE mummy and bandages with the longest Etruscan inscription in existence and Lumbarda Psephisma, 4th century BCE stone inscription detailing the founding of an ancient Greek colony on the island of Korčula.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.