Originally a Paulist Church, Varaždin church of Assumption of Mary into Heaven became a Cathedral of the newly established Diocese of Varaždin in 1997. The whole complex was built in the 17th century. The architect of the Church was George Matot, and was constructed between 1642 and 1656, when it was consecrated. A bell tower with a distinctive bulb was completed twenty years after the church. The current appearance of the Cathedral was completed in the 18th century.
The Cathedral’s facade is carved into the form of a triumphal arch with columns, gables and niches. In the central niche is a statue of Mary which was created in the 17th century. Below the niche is the Drašković Family coats of arms, who were the main donor of the Jesuit order and the Cathedral. The main altar is the largest in Varaždin, measuring 11m by 14m. In the manner of the baroque, the imitation marble columns that carry the entire altar are in fact wooden as well as the altar. At the top of the central altar is a scene of the Holy Trinity. Above the tabernacle is a relief depicting a representative image of the Last Supper by an unknown Baroque painter, with the theme of the Ascension of Mary.
The cathedral has six chapels; three on each side of the nave. The first chapel on the right hand side is dedicated to St. Francis Xavier, and is adorned with images and plastic that speak of the life and merits of this Saint. The second chapel has no altar, just images of the execution of a female saint and Ignatius of Loyola; the founder of the Jesuit order. The third chapel reveals good baroque paintings by an unknown painter, which shows Jesus – the ruler of the world – and image of the Assumption.
To the left side of the nave is the sanctuary of the first chapel dedicated to Ignatius of Loyola. The central image depicts Jesus appearing in a vision to Ignatius Loyola. To the side are sculptures of St. Fabian and St. Sebastian. On the second left is a picture of the Chapel of St. Francis of Serafin. The third chapel belonged to the Draškovic Family, and is separated by beautiful wrought iron railings. It houses a richly gilded baroque altar of the Holy Cross. This depicts the sacrifice on the cross and five sculptures; Veronica, Barbara, Mary, John and Mary Magdalene.
Built along with the Cathedral was the monastery. The use for the building itself changed frequently after the prohibition of the Jesuits and the abolition of Pauline monastery in Croatia. Today it houses the Faculty of Organization and Informatics. The frescoes and stucco work on the stairs that you can see from the street are the only features to survive along with the external structure.
The Jesuits completed the construction of the complex by building of the Gymnasium. It began as a wooden building until 1651, when the single-storey corner building was built. Today, the building is the office of the Bishop Ordinary.
The Jesuits founded the School upon their arrival in Varaždin, beginning work in 1636. The School is the third oldest in the country, built immediately after those in Rijeka and Zagreb. The School has over the centuries come to symbolize the city.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.