The Archaeological Museum in Zagreb has over 450,000 varied artifacts and monuments, gathered from various sources but mostly from Croatia and in particular from the surroundings of Zagreb.
The archaeological collection of the State Institute had been kept in the Academy mansion at Zrinski Square from the 1880s and remained there until 1945, when the museum moved to its current location at the 19th-century Vranyczany-Hafner mansion, 19 Zrinski Square.
The museum consists of five main sections: Prehistory, Egypt, Antiquity, Middle Ages, Coins and Medals. The section 'Prehistory' contains 78,000 objects, ranging from the Paleolithic to the Late Iron Age. The section 'Egypt' displays about 600 objects in the permanent exhibition. The section 'Antiquity' contains an important collection of Greek vases (about 1,500 vessels) and stones with inscriptions.
The Roman Antiquity is represented by many statues, military equipment, metal objects, Roman religion and art and objects from everyday life, acquired through systematic archaeological excavations in various Croatian regions in many Croatian cities founded during the Roman Empire. The numismatic section is among the largest collections of this type in Europe.
Some of the famous artifacts include Vučedol dove, a flagon shaped as a bird, Liber Linteus, 3rd century BCE mummy and bandages with the longest Etruscan inscription in existence and Lumbarda Psephisma, 4th century BCE stone inscription detailing the founding of an ancient Greek colony on the island of Korčula.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.