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The oldest parts of the Norantola Castle were probably built in the 12th century for a local noble family. In 1248 Locarnus de Norantola is mentioned in a record and in 1295 Petrus de Norantola is mentioned. However, by around 1300 the castle was owned by the powerful Counts of Sax/Misox and the Norantola family vanished from historical records. In 1324 Ugolinus von Sax was listed as the owner of the castle. In the early 14th century, the original castle was completely rebuilt. The old ring wall was topped with swallowtailcrenallations. A new tower was built on the wall. The north wing, with apartments and a throne room, and a south wing with stables were added. The original palas had a gallery added and became the east wing.
The rulers of the castle became a cadet branch of the Sax/Misox family, known as Sax-Norantola. In 1439 the local court ruled in favor of the Sax-Norantola family during a family conflict. However, in 1452 Count Henri von Sax-Misox signed an agreement with the residents of the valley that overturned all agreements and traditional rights between Sax-Norantola and the residents. In 1480 Count Peter von Sax and Gian Giacomo Trivulzio quarreled over Mesocco, which eventually led to a war. It appears that the Sax-Norantola family supported Trivulzio and his ally, the Duke of Milan. After 1480 either Trivulzio or the Duke of Milan helped reinforce that castle. However, it was ineffective because in 1483, during fighting between the Duke and the Count, Norantola Castle was burned by Sax-Misox troops. The castle was never rebuilt and in the 16th century the Sax-Norantola family lived in Bellinzona.
References:The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.