The Santa Maria in Calanca castle ruins are located on a hill top at the entrance to the Calanca valley. The hill top was inhabited prehistorically and by the late Roman era was home to the Church of Santa Maria. By the High Middle Ages it was the political center of the entire valley. By the 12th century the first castle was built on the hill below the church. This castle was probably built for the de Calanca family, of which Anricus de Calanca is first mentioned in 1203. The first castle probably consisted of a ring wall that followed the top of the hill and a residential building in the north corner.
Around the end of the 13th century, the first castle was replaced with a new tower. Around this time the castle and lands had passed to the powerful Counts of Sax-Misox. The first mention of a member of the family at Santa Maria was Martin von Sax in 1291. The original castle was replaced with large five-sided donjon. Two of the three levels were built as living quarters. The stairways, chimneys and toilets were all built into the walls. The lower level held the cistern and supplies for the castle. The high entrance into the castle was on the west side. The layout and design of Santa Maria is unlike any other castle in Alps and northern Italy, but resembles a number of castles in northern and central France. The builder of the castle was likely trained in France, which would explain the unusual design.
In 1434 the castle was owned by the Sax-Grono branch of the Sax-Misox family. In 1480 they sold their headquarters at Mesocco Castle and its associated demesne, including the Santa Maria area, to General Giacomo Trivulzio. Trivulzio had been sent by Milan to acquire the Misox and Calanca valleys and strengthen their claims. However, over the following years, he broke with Milan and allied with the Three Leagues. In the 1480 sale, the castle was not mentioned, meaning that it may have already been abandoned. The thick walls of the donjon allowed it to withstand centuries of neglect. The first restoration was in 1932-34, after which it was used as an observation tower. It was repaired again in 1979.
The castle is located on a hill above the village of Santa Maria in Calanca. The main village street passes by the parish church on its way to the castle. The large donjon is five-sided on the outside, while the interior is rectangular. In most places the walls are 2 m thick, but are up to 4 m thick in places. Fragments of the old residence tract are visible on the north end of the hilltop as is a small part of the old ring wall to the west.
The parish church of Assumption of St. Mary was first mentioned in 1219 and was the center of a parish that covered the entire valley. The choir was built in 1385 or 1416 and the nave extended in 1606. The Gothic bell tower is north of the choir and is topped with a Baroque octagonal pyramid spire. The west Tuscan style portico leads to the portal which is decorated with statues from 1626. The nave is decorated with a richly painted Renaissance ceiling from 1606. Above the choir, the cherubs hold the coats of arms of Calanca, the Gray League, Grono and San Vittore.References:
The Garden Kingdom of Dessau-Wörlitz, located in Saxony-Anhalt in the Middle Elbe Region, is an exceptional example of landscape design and planning from the Age of the Enlightenment in the 18th century. Its diverse components – the outstanding buildings, English-style landscaped parks and gardens, and subtly modified expanses of agricultural land – served aesthetic, educational, and economic purposes in an exemplary manner.
The grounds, which had been divided into four parts since the constructions of a railway line and the Bundesautobahn 9 in the 1930s, were designated a World Heritage Site by UNESCO in 2000.
For Prince Leopold III Friedrich Franz of Anhalt-Dessau (1740-1817) and his friend and adviser Friedrich Wilhelm von Erdmannsdorff (1736-1800), the study of landscape gardens in England and ancient buildings in Italy during several tours was the impetus for their own creative programme in the little principality by the rivers Elbe and Mulde. As a result, the first landscape garden in continental Europe was created here, with Wörlitz as its focus. Over a period of forty years a network of visual and stylistic relationships was developed with other landscape gardens in the region, leading to the creation of a garden landscape on a unique scale in Europe. In the making of this landscape, the designers strove to go beyond the mere copying of garden scenery and buildings from other sites, but instead to generate a synthesis of a wide range of artistic relationships. Among new and characteristic components of this garden landscape was the integration of a didactic element, arising from the philosophy of Jean-Jacques Rousseau (1712-1778), the thinking of Johann Joachim Winckelmann (1717-1768), and the aesthetics of Johann Georg Sulzer (1720-1779). The notion of public access to the buildings and grounds was a reflection of the pedagogic concept of the humanisation of society.
Proceeding from the idea of the ferme ornée, agriculture as the basis for everyday life found its place in the garden landscape. In a Rousseauian sense, agriculture also had to perform a pedagogic function in Anhalt-Dessau. Through the deliberate demonstration of new farming methods in the landscape garden, developments in Anhalt-Dessau were not merely theoretical, but a practical demonstration of their models in England. It is noteworthy that these objectives - the integration of aesthetics and education into the landscape – were implemented with outstanding artistic quality. Thus, for instance, the buildings of Friedrich Wilhelm von Erdmannsdorff provided important models for the architectural development of Germany and central Europe. Schloss Wörlitz (1769-73) was the first Neoclassical building in German architectural history. The Gothic House (from 1774) was a decisive influence on the development of Gothic Revival architecture in central Europe. Here, for the first time, the Gothic style was used to carry a political message, namely the desire for the retention of sovereignty among the smaller Imperial territories. The churches in Riesigk (1800), Wörlitz (1804-09), and Vockerode (1810-11) were the first Neoclassical, ecclesiastical buildings in Germany, their towers enlivening the marshland, floodplain landscape in which they served as waymarkers. In parts of the Baroque park of Oranienbaum, an Anglo-Chinese garden was laid out, now the sole surviving example in Europe of such a garden in its original form from the period before 1800. The development of stylistic eclecticism in the 19th century had its roots in the closing years of the 18th century.
Another feature of the landscape is the integration of new technological achievements, such as the building of bridges, an expression of a continuing quest for modernity. Through the conscious incorporation of the older layouts at Oranienbaum and Mosigkau into a pantheon of styles, the landscape became an architectural encyclopaedia featuring examples from ancient times to the latest developments. Nowhere else in Germany or Europe had a prince brought such an all-embracing and extensive programme of landscape reform into being, particularly one so deeply rooted in philosophical and educational theory. With the unique density of its landscape of monuments, the Garden Kingdom of Dessau-Wörlitz is an expression of the enlightened outlook of the court at Dessau, in which the landscape became the idealised world of its day.
Through the conscious and structured incorporation of economic, technological, and functional buildings and parks into the artistically designed landscape, the Garden Kingdom of Dessau-Wörlitz became an important concourse of ideas, in that it facilitated the convergence of 18th century grandeur of design with the beginnings of 19th century industrial society. The reforming outlook of this period brought about a huge diversity of change in the garden layout, and this legacy can still be experienced today.