The Basilica di Santa Giulia is a medieval former church in Bonate Sotto. Built in the early 12th century, only its apse area remain today in a short plain outside the town.
According to local tradition, it would have been founded by St. Julia of Corsica herself, or by the Lombard queen Theodelinda. It is mentioned in a letter from 1129 by Pope Honorius II. An abbey had its centre here, being abandoned together with the church around the 14th century.
The church had a basilica plan, with a nave and two aisles with three apses; the interior was divided into five bays, of which only the last one preceding the apse area survives. The area without the ceiling is now home to a cemetery. The central apse was frescoed in 1795 by the Swiss painters Baldassarre and Vincenzo Angelo Orelli.
Notable are the sculpted capitals, with geometrical, animal or human figures, while the residual exterior decoration include small columns and Lombard bands.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.